In the history of British print media, few phenomena capture the early-2000s "lad culture" quite like . Released weekly, it served as a cornerstone of British mens lifestyle publishing alongside rivals like Zoo, FHM, and Loaded.
Known for her classic Page 3 and editorial glamour work, Poole rounded out the primary featured pictorials that defined the high-density visual content of the issue.
How replaced traditional print modeling formats? Share public link
The late April 2013 issue was marketed as a definitive, reader-voted countdown. It dedicated a massive to the "100 brill-boobed babes" chosen by the magazine's subscription base and readers.
The poll was a classic Nuts feature, fully embracing the magazine's core identity. Readers were asked to cast their votes for the most aesthetically pleasing breasts in the world, with a shortlist that included some of the most famous names in global pop culture. According to a LiveJournal report summarizing the results, the finalists included supermodel Miranda Kerr, Israeli model Bar Refaeli, and global superstar Beyoncé. However, when the votes were counted, none of these celebrities took the top spot. world best boobs 2013 nuts magazine
April 12, 2026
Launched in 2004 by IPC Media, Nuts magazine pioneered the weekly "lads' mag" format in the United Kingdom, built entirely on a editorial foundation of football, cars, fast humor, and glamour photography. By 2013, the landscape of publishing was rapidly shifting due to the rise of free online content, social media platforms like Instagram, and changing cultural standards.
Among its most anticipated annual events was the definitive reader-voted countdown featured in the issue, published in late April of that year. Spanning a massive 18-page feature, this specific edition documented a peak era for UK glamour modeling before the digital publishing landscape shifted forever. The Structure of the 2013 Special Issue
Looking back from the sleek, beige, quiet luxury of today, 2013 looks like a fever dream. It was tacky. It was chaotic. It was physically uncomfortable (spiked collars chafe, and Litas break ankles). In the history of British print media, few
The era of the weekly weekly lad mag was short-lived. , with Lucy Pinder appropriately gracing the final cover.
The "World's Best Boobs" and adjacent "101 Sexiest Babes" countdowns were highly interactive campaigns. In 2013, before Instagram completely decentralized modeling, inclusion in a Nuts magazine top-100 list significantly boosted a model’s career, leading to lucrative calendar deals, nightclub appearances, and tabloid press coverage.
In August 2013, just a few months after this special edition, Nuts editor Dominic Smith announced that the magazine would no longer be sold in Co-op supermarkets. The chain had demanded that publishers put lads' mags in obscured "modesty bags" to mask the explicit front covers from children. Rather than comply with the restriction, the publishers withdrew from the shelves.
The feature was a major 18-page special published in the April 26 – May 2, 2013 issue of Nuts magazine. The feature ranked 100 women based on reader votes and was a hallmark of the publication’s "lads' mag" era before its eventual closure in 2014 . Key Models Featured How replaced traditional print modeling formats
: In August 2013—just months after this specific issue was released—major UK retailers like the Co-operative Group demanded that lads' magazines be sold in "modesty bags" to obscure their covers. Rather than comply with restrictions that would hamper newsstand visibility, Nuts leadership pulled their issues from those shelves.
The 2013 list was a staple for the magazine, which was known for its "glamour" photography and its focus on both professional models and "real" girls through features like "Assess My Breasts".
: A regular fixture in UK lads' mags, celebrated for her numerous solo features and cover appearances.
Looking for more retro fashion breakdowns? Search for "2014 normcore revolt" or "2012 mayhem couture" to continue your journey through the wildest years of style.
In the landscape of 2000s and early 2010s British media, few institutions held as much sway over the "lad culture" demographic as . Published weekly, it was a juggernaut of comedy, sports, gadgets, and glamour photography.
Shifted toward digital content creation and entrepreneurial fitness brands. Cultural & Historical Context: The Sunset of Lad Mags