The Metro is the easiest and the most reliable way get around Moscow. Its layout is quite simple. Radial lines, which cut across the city in most directions, are joined together by a circular line, which also joins together the city's largest railway stations. Transport system also includes Moscow Central Circle (MCC) and Moscow Central Diameters (MCD). Each radial line has its own name, number and colour on the metro map, and you can get from practically any station to another one with a maximum of three transfers.

To pay for your ride, please buy "Troika" card and credited it immediately (maximum top-up is 10000 Rbls.) or buy ticket ("Ediniy") at cash desks in the Metro or MCC station vestibules, at suburban train stations, at the Mosgortans ticket machines.

Recline your ticket to top on the automatic gates, when green light is on or displays the number of remaining trips - pass through the gate.

No matter how long you ride or how many transfers you make, you pay no extra fee. If you expect to use the metro for several weeks in a row, you can save some time and money by buying a monthly pass.

To help you find your way, there are several multicoloured metro maps in every car, and a loud speaker that announces the name of the station at every stop. The doors open and close automatically.

There is a first-aid station and police post at every station. For information you can turn to any metro employee (they wear blue uniforms and red hats) or policeman.

Mobile communication (GSM) and free Wi-Fi network ("MT_Free") available at stations and on trains of the Moscow underground.

The Metro starts work at 06.00 a.m., but stations open at 05.30 a.m. At 01.00 a.m. the entrances close and passengers must complete their transfers. Last trains leaves the end station of the lines also at 01.03 a.m.

Moscow Central Circle (MCC, line 14) works from 05.45 a.m. to 00.30 a.m. every day.

Angelo Gilardino Studies Pdf Top Jun 2026

John W. Duarte famously hailed this massive collection of 60 studies as "milestones in the new repertoire of the classical guitar." Composed between 1981 and 1988, they are divided into five series.

This monumental 5-volume set is widely considered Gilardino's masterpiece. It sits on the same technical plane as Paganini’s Caprices for violin or Chopin’s Etudes for piano.

Works such as 60 Studi (60 Studies) belong to this foundational period. While pedagogical in intent, these studies are miniature tone poems. They prioritize the cantabile (singing) quality of the instrument. The harmony here is tonal but enriched with added notes and extended chords, moving away from the folkloristic Spanish idioms toward a more cosmopolitan language.

While titled "virtuosity," Gilardino’s music suffers when rushed. Focus on the quality of every note. angelo gilardino studies pdf top

Gilardino viewed this "decay" not as a flaw, but as a "framed silence." He taught that the guitarist must fill the silence with intent. This philosophy is evident in his use of the campanella effect (ringing strings) to simulate sustain, and his avoidance of arbitrary arpeggios. Every note in a Gilardino score has a structural purpose; there is no filler.

A crucial aspect of Gilardino’s studies is his philosophical stance on the nature of the instrument. In his theoretical writings, he posited that the guitar’s greatest strength is its limitation. He argued that the piano’s capacity for infinite sustain makes it overwhelming; the guitar’s rapid decay forces the composer to be economical.

[Gilardino Syllabus] ├── Right-Hand Independence ──► Complex rest-stroke & free-stroke alternation ├── Left-Hand Extension ──► Wide chord voicings & rapid shifts └── Timbral Exploration ──► Sul ponticello, tasto, and pizzicato effects John W

Polyrhythms, complex mechanical extensions, rapid timbre shifts, and highly specific fingerings.

Gilardino explicitly directs players to allow unplucked strings to vibrate freely (such as open bass strings during higher-register play) to construct a richer acoustic atmosphere.

Do not just play through the study. Identify the specific technical hurdle (e.g., a specific cross-string slurring pattern) and loop it slowly. It sits on the same technical plane as

These are not just exercises. They are complete concert pieces. Guitarists frequently program groups of his Studi di Virtuosità in major international competitions and recitals. Finding the Top Editions and Legal PDFs

For intermediate students who find the Studi di virtuosità too daunting, Gilardino’s (20 Easy Studies for Guitar) serves as the perfect entry point.

Gilardino's musical journey began at a young age. He started playing the piano at the age of 5 and later switched to the guitar, which became his primary instrument. He studied music at the Milan Conservatory, where he earned his degree in 1965. During his time at the conservatory, Gilardino was heavily influenced by the works of classical composers such as Bach, Mozart, and Chopin.

: The primary cycle of 60 studies.

provide video performances and repertoire spotlights on specific Gilardino etudes, such as "Soledad". Why His Studies Rank "Top"