Amor Estranho Amor -love Strange Love- -1982- English ((new)) Jun 2026
The film centers around a wealthy and influential businessman, Lívio (played by Wladimir), who is married to a beautiful young woman, Marta (played by Cláudia). The couple has a daughter, Ana (played by Cristina), who is around 12 years old. As the story unfolds, it becomes clear that Lívio's relationship with his daughter is overly intimate and controlling, while Marta struggles with feelings of inadequacy and isolation.
Hugo arrives on the eve of a major political commemoration: the anniversary of the 1937 Estado Novo coup, when President Getúlio Vargas solidified his dictatorial powers. The house is preparing for a grand party, and the most expensive “guest” of the establishment is a stunning, ethereal young woman named Anna (Xuxa Meneghel). Anna is kept in a state of gilded isolation, reserved for the highest bidder—tonight, a powerful, unnamed politician.
In 1991, a court prohibited the sale or rental of the film in Brazil, a ban that lasted until the late 2010s.
Set against the backdrop of critical political changes in late 1930s Brazil, the movie explores themes of memory, coming-of-age, and the psychological weight of early sexual awakening. While praised by film critics for its lavish, dreamlike cinematography and complex thematic layers, it became one of the most controversial pieces of Latin American cinema due to its depictions of an underage protagonist and the subsequent legal battles surrounding its cast. Amor Estranho Amor -Love Strange Love- -1982- English
Amor Estranho Amor (translated as Love Strange Love ) is an erotic crime drama written and directed by the renowned Brazilian filmmaker Walter Hugo Khouri. The narrative is structured as a flashback, framed by a melancholic journey into the past.
Amor Estranho Amor (English title: ) is a controversial 1982 Brazilian erotic drama written and directed by Walter Hugo Khouri. The film is most famous for its long-standing legal battle and censorship involving Brazilian superstar Xuxa Meneghel. Movie Summary
As of today:
Amor Estranho Amor resists easy categorization. It is too perverse to be a classic, too melancholic to be pornography, and too politically coded to be dismissed entirely. The film ultimately collapses under the weight of its own contradictions: it seeks to critique the gaze but revels in it; it wants to expose the exploitation of the child by the state, but in doing so, it exploits the child actor (Marcelo Ribeiro, whose subsequent career was destroyed by this role).
It is a film that has been praised for its style and condemned for its narrative vacuity. It has been celebrated for acting and criticized for its slow pacing. It has been locked away by a star who feared it and later championed by that same star as a moral lesson. For all its contradictions, it is an unforgettable piece of cinema history—a unique window into the erotic, political, and cultural anxieties of a changing Brazil, and a testament to how a film's story can sometimes become more dramatic than the one it tells on screen. It stands as an essential, if unsettling, watch for anyone interested in the boldest and most controversial edges of world cinema.
Vera Fischer, a Miss Brasil winner turned actress, is the film’s centerpiece. Her character, Anna, embodies a Freudian contradiction: she is simultaneously the nurturing godmother and the sexual object. Notably, Fischer had previously starred as a wholesome ingénue in O Menino e o Vento (1970). By 1982, her body became a site of political defiance; the dictatorship had recently relaxed its censorship of nudity. The film centers around a wealthy and influential
As Meneghel's career skyrocketed in the late 1980s—becoming a children's TV icon with her show "Xou da Xuxa" (1986-1991), and eventually an international star—the existence of a film where she played a prostitute and engaged in sexual scenes with a minor became a professional liability. In 1992, at the height of her fame, she successfully went to court to have the film banned. She argued that the contract for her participation did not include home video rights, and she proceeded to from rental stores.
The story revolves around a wealthy and influential family living in São Paulo, Brazil. The patriarch of the family, a powerful and conservative businessman, begins an incestuous relationship with his daughter, Lucia. As their relationship deepens, Lucia starts an affair with a young and charming man from a lower social class. This love triangle sets off a chain of events that exposes the dark secrets and desires within the family.