In the years since its release, "Enter the Void" has developed a cult following and influenced a new generation of filmmakers. Noé's innovative approach to storytelling and his use of experimental techniques have inspired a range of artists, from avant-garde filmmakers to electronic music producers.
If you want a straightforward plot or comfortable viewing, avoid it. If you’re interested in:
: The film prominently features drug use, specifically DMT, and uses its visual style to mimic the intensity of a hallucinogenic trip. enter the void -2009-
: Noé frequently uses extreme close-ups of cells or DMT-inspired patterns that mirror the overhead cityscapes of Tokyo, suggesting a fractal nature of existence. Light as Life
: The first half is shot entirely from a first-person perspective, while the second half uses a "floating" overhead camera to represent an out-of-body experience. In the years since its release, "Enter the
The film's use of color is also striking, with a predominance of bright, neon hues that evoke the Tokyo club scene. The cinematography is often frenetic and kinetic, with rapid cuts and sweeping camera movements that create a sense of disorientation and chaos.
The film follows Oscar (played by Vincent Cassel), a young Frenchman who dies after being shot in Tokyo. As his spirit leaves his body, he embarks on a fantastical journey through the afterlife, encountering various entities, including a Christ-like figure, a gang of angels, and a wise, old shaman. Through Oscar's odyssey, Noé explores themes of mortality, reincarnation, and the search for meaning. If you’re interested in: : The film prominently
: Modernist essays explore how Noé creates "deviant phenomenal models" to depict the spirit world.
The first-person perspective is maintained for most of the film, creating an immersive, often nauseating, yet captivating experience.
Adding to the film’s intricate release history, a rough cut of Enter the Void (running 163 minutes) actually premiered at the 2009 Cannes Film Festival before the sound design and visual effects were fully completed. Noé famously described the unfinished Cannes cut as "a baby of three months" that had to be put "back into my belly" for further refinement. The final polished version was not released in France until nearly a year later, and an international cut of 143 minutes was eventually released for broader markets.
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