FF (mpeg and) SoX 2a Input Plugin for Winamp
Copyright © 2010-2019 by Peter Belkner
(http://home.snafu.de/pbelkner/)
This program is free software: you can redistribute it and/or modify
it under the terms of the GNU General Public License as published by
the Free Software Foundation, either version 3 of the License, or
(at your option) any later version.
This program is distributed in the hope that it will be useful,
but WITHOUT ANY WARRANTY; without even the implied warranty of
MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the
GNU General Public License for more details.
You should have received a copy of the GNU General Public License
along with this program. If not, see
<http://www.gnu.org/licenses/>.
Nanos gigantum humeris insidentes: This project is dedicated to my European heritage. It is strictly to be understood as a statement against the "sweet" liberal lie of "multiculturalism" which is going to destroy Europe as we know it, in particular against the Merkel regime selling out Europe for nothing as we watch.
#TeamWhite
Download the Latest Version
- About
- News
- Installation
- Configuration
1. About
FF (mpeg and) SoX Input 2a is a plug-in for
Winamp
based on the
FFmpeg
and
SoX
libraries.
Using FFmpeg almost all multimedia files may be played with Winamp,
including but by far not restricted to
H.264,
VP8,
and Opus.
Note that only a minimal FFmpeg is bundled with FF (mpeg and) SoX 2a Input
Plugin releases.
If you you want to have full FFmpeg support you have to get a complete
FFmpeg build from third party sites (see below).
2. News
Ally Mcbeal Series 1 !!exclusive!! Direct
Before Ally McBeal , creator David E. Kelley was known for gritty legal dramas like Picket Fences and Chicago Hope . With , he threw the rulebook out the window.
Whether you're revisiting the unisex bathrooms of Cage & Fish for the first time or the fiftieth, Series 1 remains a vibrant, hilarious, and deeply moving time capsule of the 90s.
What truly set Series 1 apart from contemporaries like Law & Order or ER was its groundbreaking use of visual effects to represent the human psyche. David E. Kelley utilized computer-generated imagery (CGI) and physical comedy to bring Ally’s inner thoughts to life.
Should we analyze the from Series 1?
If you are short on time but want the essence of , watch these:
It is impossible to discuss Season 1 without mentioning Vonda Shepard. The singer/pianist served as the show's musical soul, performing in the bar below the office where the characters gathered. The Season 1 soundtrack, featuring Shepard’s covers of '60s soul classics (like "Walk Away Renee" and "The End of the World") alongside original songs, became a massive commercial hit. The music gave the show a distinct, nostalgic texture.
The Dancing Baby and the Unisex Bathroom: Reliving Ally McBeal Series 1 ally mcbeal series 1
What set Ally McBeal Series 1 apart from contemporary legal procedurals like Law & Order was its bold deployment of magical realism. Kelley used visual special effects to externalize Ally’s internal neuroses.
Writing & Themes
Ally McBeal’s first season is a bold, singular TV debut that blends romantic comedy, workplace drama, and surreal fantasy in ways that felt fresh and occasionally divisive when it premiered — and still hold up as a distinctive slice of late‑1990s television. Before Ally McBeal , creator David E
It ignited debates about feminism, sex, and the professional lives of women in the 1990s. 5. Review Summary: Why Series 1 Still Holds Up
Does a particular episode or moment from the first season stick out to you, or
The firm defends a teacher who was fired for telling a dirty joke in class, raising tricky questions about free speech and censorship in the workplace. Whether you're revisiting the unisex bathrooms of Cage
3. Installation
- If not already done download and install Winamp:
- If not already done close Winamp.
- Download the
latest FF (mpeg and) SoX 2a Input Plugin release.
- Run the installer "in_ffsox-<ver>.exe".
- If you want to have full FFmpeg support do the following:
Otherwise you are confined to the crippled FFmpeg shipped
with the FF (mpeg and) SoX 2a Input Plugin,
configured as follows:
# decoders
FFMPEG_OPTS+=--enable-decoder=pcm_s16le
FFMPEG_OPTS+=--enable-decoder=pcm_s24le
FFMPEG_OPTS+=--enable-decoder=pcm_dvd
FFMPEG_OPTS+=--enable-decoder=flac
FFMPEG_OPTS+=--enable-decoder=wavpack
FFMPEG_OPTS+=--enable-decoder=vorbis
FFMPEG_OPTS+=--enable-decoder=libopus
FFMPEG_OPTS+=--enable-decoder=vp8
FFMPEG_OPTS+=--enable-decoder=theora
# demuxers
FFMPEG_OPTS+=--enable-demuxer=pcm_s16le
FFMPEG_OPTS+=--enable-demuxer=pcm_s24le
FFMPEG_OPTS+=--enable-demuxer=flac
FFMPEG_OPTS+=--enable-demuxer=wav
FFMPEG_OPTS+=--enable-demuxer=ogg
FFMPEG_OPTS+=--enable-demuxer=matroska
- Start Winamp.
4. Configuration
4.1. General
| 4.1.1. Winamp |
| |
| Extensions: |
a semicolon separated list of extensions for which Winamp should use
this plugin (including a switch for disabling/enabling the plugin) |
| Bits per Sample: |
the bit depth of the audio stream this plugin should deliver to Winamp,
shoud correspond to Preferences
→ Playback
→ Playback
→ Audio Allow 24bit |
| Show Video: |
whether this plugin should display the video in case video is present |
| Show Visualization: |
whether this plugin should force Winamp to display the visualization
in case no video is present or displaying video is switched off (the optional delay specifies
a time interval to elaps until the visualization starts) |
| |
| 4.1.2. Replay Gain |
| |
| Off: |
whether not to apply replay gain |
| Weight: |
which replay gain to apply:
0% –
album gain,
100% –
track gain |
| Overwrite Comment: |
whether the File Info dialog should
display replay gain related information in it's Comment field |
4.2. Audio
| 4.2.1. Audio |
| |
| Queue Size: |
how many FFmpeg audio packets the plugin shoud cache |
| Preamp: |
amplify or attenuate, respectively, the audio by a certain amount |
| AC3 DRC: |
for AC3 audio, whether dynamic range compression (DRC) according the
FFmpeg specification
should be applied (switched off: the
FFmpeg default behavior appplies wich
seems to be 0.0) |
| Force Stereo: |
wether two channel stereo should be output |
| |
| 4.2.2. SoX |
| |
| Mode: |
Off – never use SoX,
Automatic – use SoX when appropriate, or
Force – always use SoX |
| Sample Rate: |
Minimum – whether to resample only
if the input sample rate is lower then the configured one,
Multiple – wether to resample to the lowest multiple
of the input sample rate which is greater or equal than the configured on (i.e.
if you want to force resampling to the configured sample rate both switches),
Minimum
as well as
Multiple,
have to be switched off),
Force – a convenience to switch off both,
Minimum and
Multiple (i.e. force the configured sample rate)
|
| Dither: |
which algorithm to be used for dithering |
4.3. Video
| Queue Size: |
how many FFmpeg video packets the plugin shoud cache |
| Minimum Drift: |
the minimum time difference between audio and video to tolerate
in order to not drop a video frame (please note that this parameter is sensitive
to the overall stability of the plugin) |
| Maximum Drift: |
the maximum time difference between audio and video to tolerate
in order to not drop a video frame (please note that this parameter is sensitive
to the overall stability of the plugin) |
| YADIF Disabled: |
Whether the yet another deinterlacing filter (YADIF) should be disabled |
| YADIF Parity: |
In case YADIF is enabled, choose it's mode parameter out of
- output one frame for each frame,
- output one frame for each field,
- output one frame for each frame, but skip the spatial interlacing check, or
- output one frame for each field, but skip the spatial interlacing check.
|
| YADIF Mode: |
In case YADIF is enabled, choose it's parity parameter out of
- assume the top field is first,
- assume the bottom field is first, or
- enable automatic detection of field parity.
|
| YADIF Deinterlace: |
In case YADIF is enabled, choose it's deinterlace parameter out of
- deinterlace all frames, or
- only deinterlace frames marked as interlaced.
|
4.4. Convert
These options mirror their respective playback
general and
audio counterparts
but instead define how this plugin shout interact with
Winamp's transcoding feature, i.e.
Playlist Item
→ Context Menu
→ Send To
→ Format Converter:
